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NORTH CAROLINA State of North Carolina, $4.00 Factory Workers Southerners also knew that if slavery could be transferred from the fields to the factories, slaveowners could control the emerging industrial economy in America and the world. “Slave Factory Workers” is the only known image of slaves in an industrial setting. However, Southerners were worried that if slaves proved intelligent enough to operate a machine, it would be difficult to justify keeping them in bondage In addition, the concept of “Industrial Slavery” was threatening to white industrial wage laborers and the economic dominance of factory owners who had to pay for labor.
GEORGIA
The State of Georgia $20.00
Agitation against slavery assumed a critical importance by the end of the 1850s. Banks and engravers were very deliberate in portraying the importance of African American slave labor to the economic development of the South and the nation. Scenes of agricultural labor, dominated, including cotton, tobacco, sugar cane, and turpentine. Images also reveal how slavery influenced every aspect of daily life in the United States, including the introduction of such dietary staples as sugar, rice, and poultry, as well as such luxury items such as tobacco. Banks and engravers told a story of slavery that glorified, justified, and ratified an inhumane institution. John W. Jones on the other hand, tells a story of strong and indomitable character, the will to survive and carry on the qualities brought from Africa. Look at how the artist uses light and color to tell this story. Notice how the clothing of these noble people is depicted in the colors of precious gems. ALABAMA State of Alabama $50.00 mages on Southern currencies circulating throughout the country were designed to reinforce Southern convictions about the legitimacy of enslaved labor and to convince Northerners of its beneficial nature for Africans. Images were increasingly characterized by smiling workers and well dressed blacks in happy scenes. Note the painful hypocrisy in portraying a happy mother and child within a system that routinely separated families and sold children. SOUTH CAROLINA State of South Carolina $50.00 Though the end of the Civil War abolished slavery, its destructive images of racism and discrimination prevailed, engraved on currencies in the South through a century of Jim Crow laws and segregation. VIRGINIA & WASHINGTON, D.C. Citizens Bank, Washington DC $3.00
State of Virginia $50.00 After independence, support for centralized government in the United States was encouraged among rebellious and disenfranchised white laborers through the creation of a permanently subordinate black slave caste available for economic exploitation.
MICHIGAN & SOUTH CAROLINA State of Michigan $1.00
State of South Carolina $5.00 After independence, support for centralized government in the United States was encouraged among rebellious and disenfranchised white laborers through the creation of a permanently subordinate black slave caste available for economic exploitation.
GEORGIA
Georgia Savings Bank, Georgia, $5.00
Within the slaveocracy, exploitation was economic, political, socio-cultural, even biological and physical in character. New groups of people such as mulattos emerged and were enslaved, thereby expanding the numbers of the slave caste. In the image titled “Slave Profits,” engravers recycled a classic mythical figure to legitimate slavery. Moneta, a Roman goddess of money, claims the riches of an enslaved labor system seen toiling in the background. They work, and she gets the money. In recycling the myth once more, notice how the artist John W. Jones chooses to tell the story. Compare his creation of the goddess with that of the engraver. Why did the artist paint Moneta, as a mulatto in the painting “Slave Profits”? What other elements of the slave system are depicted in the painting?
KENTUCKY
$2 IN KENTUCKY Title: Slave Butchering Hog | ||||||
Title: Confederate Currency:
John W. Jones
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Live Television interview on April 10, 2001 on
APRIL 30, 2001 VO. 157 NO. 17
Ghosts Of The South